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Join the Fast Track
01

It's early Sunday morning. You're up, and everyone else in the house is asleep.

Perfect.

You make a coffee, head to your practice room and pick up your guitar. It's been a busy week, but this is your time — there are no emails or admin that need your attention, and you can finally let loose.

It's just that, when you actually pick the guitar up, you don't know what to play.

You noodle a few of the same licks you always do — and then head to YouTube to see if there's a cool backing track to jam over.

You find one and start improvising, but you don't like what you hear. It sounds clunky, mechanical, and it lacks that bluesy feel you hear from your favourite players.

You let the track roll for 5 or 10 minutes, but you start to get frustrated. Everything sounds the same, and you feel stuck — just repeating the same licks in the first shape of the minor pentatonic scale.

Whenever you think about making a move, you freeze. You have no idea where you need to go, and every time you try something different, you hit a wrong note. You immediately wince with embarrassment and hope that no one heard you make that mistake.

Losing motivation, you start to think about what you need to do to salvage the practice session. And then in the corner of your eye you spot a lesson in the YouTube sidebar:

“50 Blues Licks You NEED to Know”

Well that looks interesting, so you click on that and start learning. But 5 minutes in and that sidebar captures your attention again:

“5 Ways to IMMEDIATELY Improve Your Blues Tone”

Who doesn't want a better guitar tone?

30 minutes later and you're watching a Klon pedal comparison video, you've ordered two new overdrives, and you have a new wishlist on Reverb of dream guitars you'd like to add to your collection…

The practice session has been dropped, and now it's too late — you've lost your chance and will have to wait for another time to work on your improv.

Maybe this sounds familiar?

02

If so, you're not alone

Here are some of the challenges I see blues guitarists face all of the time, even if they practise regularly and have been playing for years or even decades:

  • Your playing isn't bluesy. It sounds stiff, mechanical, and lacks the emotion and feel of the guitar greats that inspire you.
  • You know the pentatonic scale shapes, but you end up trapped in certain positions and hit the wrong notes whenever you try to make a move.
  • Every time a backing track comes on you freeze and find yourself repeating the same licks you've been playing for years.
  • You feel comfortable in certain keys, but have no idea what to do when the song or chord progression changes.
  • You have an amazing collection of guitars, amps and pedals, but you can't enjoy them, as you feel you don't really deserve them, and you're embarrassed that you can't do them justice.
  • You'd love to have the confidence to play in front of family, friends, or at a local jam night, but right now your hands start shaking just at the thought of it.
  • You do have some time to practise, but you have no idea what to focus on to actually get better. So you find yourself jumping between random lessons, licks and bits of songs, starting a lot of new things but never actually getting anything finished off.
  • You've wasted years of practice time and potential progress, and are starting to wonder if you're really cut out for this.

If any of that hit home, then I know exactly how you feel — it's where I was for almost a decade.

03
London · 2014

The Unhappy Bluesman

I'm pacing around the green room at the Camden Barfly, a small but iconic music venue that has hosted acts like Muse, Iggy Pop, Ed Sheeran, The Strokes, Coldplay and The Killers.

And now it's my turn…

I'd been looking forward to the gig for weeks, invited all of my friends, and I really felt that this was going to be the show I'd dreamed of: an awesome stage with amazing sound and lighting, a room packed full of screaming fans, and me improvising incredible solos all over the fretboard.

45 minutes later and I'm sitting back in the same room, my head in my hands, wondering where it all went wrong.

My tone was trash, my playing was trash, and just thinking about how my solos sounded makes me cringe with embarrassment even today.

I skipped the after-party and went straight home.

The next morning I still couldn't shake the disappointment.

At first I blamed the venue — it was the amps and the sound system that were the problem, they'd thrown me off and affected the playing.

But deep down I knew this wasn't true.

Ever since I'd joined the band I'd been telling myself that I'd build my repertoire and move beyond the same licks and positions that I always had. That I'd finally learn all 5 shapes of the minor pentatonic scale, and how to connect them across the fretboard.

But I kept falling back into my comfort zone, only ever playing in the first and second shapes of the scale, and recycling the licks that I knew worked…

Until they didn't.

That night my playing fell to pieces, and exposed just how little I could actually do on the guitar, even though I'd already been playing for 10 years:

  • I didn't know all of the shapes of the minor pentatonic scale, so I played everything in one or two small sections of the fretboard.
  • I felt completely lost the moment I tried to move beyond this, and was terrified of hitting the wrong note and embarrassing myself.
  • Every single solo I played was the same; the same licks, in the same shapes, using the same techniques. I could play for 30 seconds and it sounded ok, but after that every solo was repetitive, predictable and incredibly boring.

I knew something had to change.

04

Chasing answers in all the wrong places

I started with YouTube.

With so many lessons and instructors, there had to be some amazing options for helping me learn how to solo and improvise freely, in the style of my favourite guitarists.

Right?

Well, not quite.

I'd load up a video that felt like I was in a comedy club, the instructor cracking joke after joke, without actually teaching anything.

Or I'd find myself watching lessons with very serious, straight-faced guitarists who assumed I already understood all of the complex music theory they were talking about, leaving me feeling completely lost and overwhelmed.

After a few weeks of that, I gave up and found a teacher for 1-1 lessons.

Just having someone to talk to and ask questions was amazing in the beginning, and I got a massive initial boost of excitement and motivation.

But that soon disappeared when I realised that every single session started in the same way:

“So, what would you like to work on today?”

Erm, I don't know — aren't you the teacher?

There was no plan, no structure, and no real care about whether I actually got any better. It was basically just turn up, noodle, chat a bit, and then go home.

But I was determined not to give up.

I bought books, I spent hours trawling the web for answers, and every day after work I'd practise late into the night, trying to get my fingers to bring to life the ideas I had in my head.

I made a lot of mistakes. I spent hundreds of hours teaching myself theory that was totally irrelevant, and I wasted weeks practising concepts that made no difference to my solos.

But one day, it all clicked into place.

I sat down to practise and for the first time ever, I played what sounded like a proper blues solo. Not a few licks, not one idea endlessly repeated, and not something I'd copied from someone else.

And that was just the beginning. Slowly, I started to see progress:

  • My licks began sounding less like scales and more like solos.
  • I could actually move out of that first box of the minor pentatonic scale and solo across the fretboard.
  • Translating what I heard in my head onto the guitar became a reality — I could actually turn the ideas I had into licks and improvise beautiful solos.

And then 6 months later, as I was packing my guitar into its case after another gig, a gentleman tapped me on the shoulder. He stopped to compliment me on my playing, and told me that my solos reminded him of Mark Knopfler — one of my favourite guitarists of all time.

05

You don't need more time. You need the right focus.

You don't need to slave away in your practice room for hours and hours a day for months on end like I did to start sounding like your guitar heroes.

And in fact, you probably don't have the time.

Back then I was able to figure everything out from scratch and teach myself all of these concepts. I had a simple job, no girlfriend or wife, and no kids.

Now, with a wife, two young children, my own business, and a dog, the same would be impossible. And if you have a busy job, a family, and a calendar that is almost totally blocked out with projects, travel and after-school activities, it's the same for you.

So what happens from here — you just accept that life is busy and you give up on your dreams of improvising freely in the style of your heroes? Or maybe you pack the guitar away for the day you retire, or when life settles down a bit?

The thing is, what I learnt during those hours and hours of study and practice, is that not all guitar concepts make the same difference in your playing.

I spent weeks on certain techniques and theoretical concepts, and they made almost no difference to my solos or playing style. Yes they did technically make me a better musician, but they didn't move me towards soloing like my favourite guitar players in any meaningful way.

On the other hand, I learnt that there are 4 key areas that every single blues guitarist needs if they want to improvise like the greats.

And if you're serious about soloing, you need to focus on them and get them nailed, or you'll never break out of the cycle of noodling a few random ideas in the same part of the fretboard.

It took me countless hours and months of trial and error to figure all of this out. But when I did, I was a totally different guitarist.

Not long after, I started coaching guitarists 1-1, and sharing these ideas with them. I heard the exact same story, over and over, from blues guitarists all over the world who had been practising for years but still didn't have the confidence to improvise.

I saw it again in the emails that poured in as I shared lessons and articles on the Happy Bluesman.

And when I got invited to be a guitar coach for an elite programme run by guitarist and YouTuber Paul Davids, the same story appeared.

That's when it clicked. This isn't about talent, and it isn't about how long you've been playing. It's about whether you've nailed those 4 key areas, or not.

And that's when I was determined to help.

06
Introducing

The Blues Fast Track

Improvise with confidence all over the fretboard just like your blues guitar heroes, while developing your own signature style.

Over the past 6 years I've created a 4-step system to help blues guitarists improvise with freedom in the style of their guitar heroes, even if they don't have hours to practise every single day.

It's not about learning every bit of theory out there, or spending hours every day on boring practice drills. It's about focusing on the four key areas that will immediately change your soloing.

01

Play solos, not scales

It's easy to get focused on what you're playing and think about the scale you're using and where you are on the fretboard. But your audience doesn't care. And when you listen to your favourite guitar solos — those ones that inspired you to pick up the guitar for the very first time — you don't care either.

It's not about the scale or the notes you play — it's about how you use them to tell a story and actually make the people listening feel something.

That doesn't come from just running up and down scale shapes, hoping that playing a few licks will be enough. It comes from a different way of thinking about the guitar.

In the beginning of the programme you'll learn how to stop playing scales and start telling stories that sound bluesy and make your listeners actually feel something. From there, every single element of your blues guitar playing will improve.

02

Find fretboard freedom

Making 2 or 3 notes sing is a start, but you have to be able to move around the fretboard if you want to tell beautiful stories through your guitar playing.

If you can't, it's like trying to tell a story in a different language. You won't know which words to use, so you'll be terrified to say the wrong thing, and you'll never be able to express yourself properly.

Then you'll retreat to the small sections of the guitar where you feel comfortable. But this means that you end up telling the same stories over and over again, because you don't have the words to say anything else.

With one simple framework and shift in perspective you'll open up the fretboard in a way you never imagined, allowing you to move all over the guitar and bring to life the exact ideas you have in your head.

03

Escape minor pentatonic prison

The minor pentatonic scale is a thing of beauty. You've heard it in every blues and rock song you ever loved, and it will always be part of what us blues players reach for when soloing.

But if you really want to sound bluesy, and play in the style of guitarists like B.B. King, Eric Clapton, Peter Green, Stevie Ray Vaughan and so many others, you have to bring in the major pentatonic. The warmth, the sweetness, and that beautiful mix between major and minor that creates emotion and feel in your playing.

You might already have tried to use the major pentatonic, created some weird and horrible sounds, and then immediately gone back to the minor pentatonic. I made all of those same mistakes. But after a lot of trial and error, I realised that in fact there's a surprisingly simple method for using the scale in your playing.

Once it all clicked into place, I started to sound like my blues guitar heroes overnight. It totally changed my soloing, and it will do the same for you.

04

Make every single note sing

The best blues guitar solos tell stories. There's no random licks or useless filler — every note has a purpose and says something. When B.B. King, Eric Clapton and Peter Green land on a note, it's as if their entire solo was leading up to that point.

You can create this same feeling by connecting your solo to the chords you're playing over. Not just playing licks, but understanding how each of those notes fits into part of the bigger picture.

If you've ever tried to 'play the changes' in the past, you'll know how challenging it can feel. You have to think about the chord you're playing over, which note you're playing (and when!), and then bring it all together as part of a beautiful, bluesy phrase. It's enough to make your head start spinning.

Guitarists only find themselves in this situation because they try to tackle everything at once — every change, over all of the chords, all across the fretboard. The good news is that you can create the same feeling of connection with just one note.

In the final few weeks of the programme we look at exactly how to do this — over both a major and minor blues — so you are locked into the track and making every single note sing. And we'll do this one note at a time, so you never feel lost or overwhelmed.

07

How it breaks down across the 10 weeks

Weeks 1–3

Making magic in the minor pentatonic

Discover how the greatest blues guitarists of all time think about the minor pentatonic scale. Stop playing repetitive and boring licks in the same sections of the fretboard, and start making magic.

  • The specific techniques that transform stiff, mechanical sounding licks into beautiful, bluesy phrases that sound like the greats.
  • 3 fun exercises that you can practise in 5 or 10 minutes, which will help you make even two or three notes sound incredible.
  • A simple framework you can use to move all over the fretboard, so you never feel stuck in one place.

By the end of this first section, you won't be playing scales. You'll be crafting beautiful licks all over the fretboard and thinking about your guitar in a different way, even if you've been playing for years.

Week 4

Turning licks into solos

Beautiful blues solos don't happen when you simply stack a load of licks together. They happen when you step back, and think about how each of those licks fits together to tell the story that you want to tell.

  • How to use 4 or 5 notes to craft an entire solo that sounds incredible and never predictable or boring.
  • Easy ways that will ensure you never run out of ideas or start repeating yourself after 30 seconds.
  • The soloing frameworks used by B.B. King, Peter Green and David Gilmour to create emotional solos that build in excitement and power.

This is where things start to really click. You have the licks, you can move freely all over the fretboard, and now you have the frameworks to bring all of this together into beautiful solos full of emotion.

Weeks 5–7

Major and minor, together

Blues is not sad music. Its power comes from the push and pull tension that exists between sadness and hope. You hear it in the lyrics, in the chord progressions, and of course in the guitar solos.

  • The simple framework that will help you mix major and minor flavours in your playing all over the fretboard.
  • How to craft beautiful licks with the major pentatonic straight away, even if you've struggled with this in the past.
  • Ways of bringing some of that B.B. King and Peter Green magic to your playing with a simple box shape that will transform your solos.

Here is where you have your breakthrough. You'll immediately double your vocabulary and have access to a whole new set of flavours. For some these weeks feel tough — but I'll be with you every step of the way, and when it comes together you'll be 10x the player you were.

Weeks 8–10

Playing the changes

To finish, it's time to add a bit of the secret sauce that immediately gives your solos a more melodic and sophisticated sound. This is the final step that turns a good solo into one that is truly great.

  • The one note that will bring a totally new flavour into your solos, immediately making your playing sound more polished and professional.
  • The easy and repeatable framework you can use over any 12-bar blues progression, in both major and minor keys.
  • Simple options for staying locked into the chord progression, so you can play every change without feeling lost or getting overwhelmed.

This is where you really bring the magic. Every note serves a purpose, every lick is played with intent, and you are locked in and playing with confidence, every time you improvise.

08

Why courses haven't worked in the past

All of this information is wonderful, but it is totally useless if you never get to it. So I understand if you might still be a bit sceptical — perhaps you've tried other courses or memberships in the past, and things didn't work out.

But here's the thing:

You don't just need more information. You need support.

There are more options than ever before for learning guitar. Free YouTube videos, ebooks that cost $7, and memberships where you pay $99 for the year and get access to more lessons than you could reasonably watch in a lifetime.

But for most guitarists, this will never work. It's like setting off on a journey with no map or signs to guide you. You might stumble across the right path every now and again, but you'll waste so much time with wrong turns, and you'll never feel totally confident in what you're doing.

If you really want to make progress on the guitar, you need structure, and a plan that lays out exactly what to work on, why, and for how long. You need expert input on what's actually going wrong, so you can fix it now, not in six months. And whenever you get stuck, you need someone to turn to.

You don't have the time to waste hours searching YouTube or Google for the answers. And the last time I checked, I'm not sure that the AI chatbots know how to make a bend sing, or add sweet vibrato to the end of a phrase.

I don't just throw a bunch of lessons at you and send you on your way. I'm with you every step of the way.

Unlimited personalised feedback

Small tweaks can transform your playing. Those bends that never sing because you're always getting other strings ringing out? Fixed with a tiny change to your fingers. Hammer-ons and pull-offs dying the minute your finger leaves the string? One quick switch and you can keep them going all day long.

And this feedback isn't just about technique. I deconstruct your improvisations, telling you exactly what's working, where you could improve, and the specific next steps to keep progressing.

There are structured challenges throughout the programme, but beyond that you can send as many videos as you like. Within 48 hours you'll have your feedback and know exactly what to work on.

Weekly workshops

Every week I run a workshop covering that week's key takeaways. We jam, put the concepts into practice, talk gear and guitars, and get out of the practice room to connect in real time. All sessions are recorded, so you can catch up if you can't make it live.

Practice plans

You don't need hours a day to make progress. When you know exactly what to work on and spend every minute of it actually playing, you'll be amazed at what happens in just 30 minutes a day. Each week you'll get a personalised practice plan breaking down exactly what you need to work on, so you never waste a minute.

Community

No more solitary noodling. You'll go through the programme with a small group of players at your level, working on exactly the same material at the same time.

Everyone joins a WhatsApp group where we share wins, ask questions, talk gear and ping around our favourite blues solos and songs.

Every cohort starts the same — with most players feeling a little shy and awkward. But after the first call and a bit of ice breaking, the other students become your Blues Brothers and Sisters, cheering you on at every stage.

Accountability

At the beginning of each week, you fill in a practice tracker with your goals: what you're going to work on, for how long, and when. You tick off each session, and as the week goes on we touch base to see how you're getting on.

This isn't about practising for hours every day or setting crazy goals you can't stick to. It's about developing a regular habit of practice, and sticking to it. 30 minutes, a few times a week might not sound like much — but stack that up over time and you'll be amazed at how it changes your playing.

09
Also included

3 progress-boosting bonuses

Bonus 01 · Worth $300

Two 1-1 Coaching Sessions

Your chance to go deeper into your own playing, with two sessions focused entirely on you.

The first happens early in the programme. We'll look at your current playing together, set a personalised plan, and make sure you're focused on exactly the right things from day one.

The second comes later, once you've had time to put the concepts into practice. We'll check in on your progress, work through whatever's still tripping you up, and fine-tune your playing so you finish with real confidence in your solos.

Bonus 02 · Worth $149.99

Essential Blues Theory Courses

I wasted a lot of time chasing theoretical concepts that didn't make me a better blues guitarist. But there are certain pieces of theory you can apply straight away — to understand the fretboard, move around it freely, and craft licks that sound intentional.

You'll get bonus access to my courses The Essentials of Fretboard Navigation and An Introduction to Intervals, taught in plain, simple English and always brought back to your playing.

Bonus 03

The Tone Guide

Tone isn't a nice to have, it's essential. Think about Gary Moore and those beautiful, soaring bends he lets ring for an eternity. His technique matters, but the tone supports it and brings it to life.

  • How to use your current gear and setup to craft a beautiful tone that inspires you to play.
  • The overlooked ingredient that will immediately make your tone sound thicker and warmer.
  • The gear of the guitar greats — how they craft their tones, and how you can do the same.

And all of this — every lesson, resource and bonus course — comes with lifetime access. So you can keep coming back to the material as much as you want in the future.

10

Is the Blues Fast Track right for you?

You're a good fit if…

  • You are tired of not making progress and finally want to learn how to improvise with the feel and expression of your blues guitar heroes, but with your own signature style.
  • You have at least 30 minutes to practise, 3 or 4 days per week.
  • You can play at least the first and second shapes of the minor pentatonic scale (or can learn them quickly), and have a basic understanding of techniques like slides and bends.
  • You've tried online courses and memberships before, but struggled to stay accountable without personalised support.
  • You love the blues and want a course that is 100% blues focused.
  • You want a course that explains how different concepts and techniques work, so you can learn exactly how to use them in your playing and make them your own.

It's not for you if…

  • You are totally content with your playing, and not that interested in making progress.
  • You have almost no time to practise, and don't want (or aren't able) to free up any extra time right now.
  • You are a total beginner, or you are already shredding up and down the fretboard like SRV.
  • You would prefer a self-paced course that you can work through without any support or help.
  • You're looking for a general soloing course that focuses on a variety of styles like jazz, country and pop.
  • You just want to learn licks or songs without learning how to apply the same ideas in your own playing.
11

What past students say

12

The investment

Most guided programmes like this cost thousands of dollars, and even then, you're just getting pre-recorded material with the occasional check-in or group session. And the same amount of time and support with my 1-1 coaching over 10 weeks would cost around $2,500.

If you are ready to finally learn to improvise beautiful solos on the spot in the style of your blues guitar heroes, then I would love for you to join me.

As a heads up though, because of the unlimited support, feedback, and bonus coaching sessions, spots are limited to just 10 players. And once they're taken, I won't be opening up any more.

10 weeks · 10 players · Starts Mon 28 September

The Blues Fast Track

$947

Unlimited feedback · Two 1-1 sessions · Lifetime access

Secure your spot$947 paid in full Payment plan2 payments of $499

Full money-back guarantee, right up to the end of the programme

13

My guarantee to you

I know that the Fast Track is an investment in your playing. And I can imagine that even if you're excited to join, you might be nervous about spending the money and finding out it's just not for you.

Especially because over the years I've spoken to so many guitarists who have wasted thousands of dollars on courses and coaching that did nothing for their playing.

That is the absolute last thing I want to happen to anyone I work with. If you join the Fast Track, I want you to make incredible progress and have a huge amount of fun in the process.

Go through the full 10 weeks, and if you don't absolutely love it, I'll send you all of your money back — no questions asked.
14
Sunday morning, revisited

It's Sunday morning, late December.

You've got your coffee, you're plugged in, and your tone is sounding sweet, right on the edge of breakup. Lately you've been mixing up your backing tracks — switching keys and tempo and just going with the flow.

You start playing, and you can't quite believe what happens next:

You're not thinking about the scale you're using, where you are in the backing track, or how to move across the fretboard. You're not terrified of playing the wrong note, missing a bend or getting lost and resorting to repeating the same lick over and over again.

No, now things are different.

You're totally locked in, crafting beautiful bluesy licks full of emotion and feel. The bends are soaring, you're following the chords, and every note is played with purpose.

You're not just playing licks, you're telling a story and having a huge amount of fun in the process. You honestly never thought that playing the guitar could feel so good.

When you finish, you hear a gentle knock on the door. Your wife pops her head round and tells you she really enjoyed listening to that, and that she can hear how much your playing has changed recently.

These moments are why I created the Blues Fast Track. I really hope you'll join me.

Mon 28 SeptStarts
10Players only
[X] daysUntil doors close
Join the Fast Track$947 paid in full Payment plan2 payments of $499

10 weeks · Unlimited feedback and support · A guided roadmap · A full money-back guarantee if it's not for you

15

FAQs

How advanced do I need to be to join the Fast Track?

I designed the Fast Track for late beginner and early intermediate guitarists.

If you can play the first and second shapes of the minor pentatonic scale (or you can quickly learn them) and you have some basic technique, then you're going to love the programme.

We'll start by helping you create magic in the minor pentatonic scale, before we look at how to construct melodic and interesting solos, then the major pentatonic and finally, how to play the changes.

If you are a total beginner, or if you are already shredding up and down the fretboard, then the Fast Track might not be right for you this time. But if you have any doubts or questions about your specific playing situation, just send me an email. We can organise a quick call and chat through everything in more detail.

When are the weekly live calls?

Once all of the slots for the Fast Track have been filled, I'll run a quick poll to find the best time that works for as many players as possible. Even if you can't make one or two of the calls live, don't worry — they will all be recorded so you can catch up and watch them in your own time.

How interactive will the calls be? I don't feel comfortable playing in front of other people.

Don't worry, I will be doing most of the talking.

There will be lots of chances to ask questions and you can chat and share your playing with the group (who will all be cheering you on), but if you don't feel comfortable, you don't have to get involved and can even watch with your webcam disconnected, if you'd prefer.

How much practice do I need to do during the Fast Track?

I created the Blues Fast Track to help you make more progress in 10 weeks than you've made in months or years. But that progress doesn't come without a little work.

If you can practise for 30 minutes 3–4 days a week (and maybe a little longer during the weekend), then you'll be able to dive into the programme, run through the lessons and exercises and get amazing results.

I play acoustic guitar. Will the Fast Track work for me?

The Blues Fast Track is designed to help electric guitarists play vocal blues solos in the style of guitarists like B.B. King, Peter Green, Eric Clapton, Albert King and many others, whilst of course keeping your own distinctive style. The concepts can be learnt and applied to the acoustic, but this isn't true for the techniques and practical playing part. So if you are only interested in playing acoustic blues, this won't be the right programme for you.

How does the personalised feedback work?

Feedback is unlimited.

Throughout the programme there will be specific challenges for you to get involved in, to help you apply the concepts we've been learning and push your playing to the next level. Beyond that, you can reach out for feedback at any point.

You can send me videos of yourself playing these short challenges, either by email or WhatsApp, and I'll respond with personalised feedback on what's working and what to tweak to keep making progress. You don't need any fancy gear to do this, just record on a phone or webcam.

How long can I access the lessons and materials?

You will have lifetime access to all of the lessons and materials inside the Fast Track, so you can go back and revisit the material as much as you want in the future.

I'll be travelling a bit over the next 10 weeks. Is that a problem?

Not at all. You can drop back into the lessons whenever you return, and reach out any time you need extra support. There's probably never going to be a "perfect time" to dedicate yourself to blues guitar, but over these 10 weeks I'll help you build a routine that fits around your actual life, not a fantasy version of it.

What happens if I don't like the Fast Track?

I've coached hundreds of players from all over the world using the principles and frameworks outlined in the Fast Track, all with amazing results. And if you put in the same effort, I'm confident you'll make the same progress.

But the last thing I want is for you to invest in the programme and feel that it's not for you. It's why I offer a full money-back guarantee, right up until the end of the programme. So you can go through the full 10 weeks, and if you don't absolutely love it, I'll send you all of your money back — no questions asked.

Ready to join?

The Blues Fast Track starts Monday 28 September 2026, with just 10 spots.

Join the Fast Track$947 paid in full Payment plan2 payments of $499